Simple MotionPrompt code: NPXLiving Specimen Product Reel with Logo Morph
<direction> Make an 8.9-second horizontal motion-design reel, 1920x1080 at 30 fps (four bars at 107.5 BPM), that presents a product as a living specimen. It moves through a technical sheet, software-style tracking, an anatomy diagram and very wide type that shuffles from one statement into the next, and ends on my logo. Everything is drawn. The subject is a six-petal flower drawn in vector: pink petals with darker bases, an orange-yellow centre, deep-ink anthers and a teal stem. It is the "specimen" in every scene. Cut hard and on the beat. Inside shots, change things on single frames (typing, flashes, letter jumps) rather than easing them. Avoid crossfades, soft drifting motion inside shots, photos or stock footage of the subject, and any voice. Use my logo exactly as it is, never redrawn or recoloured. </direction> <structure> 1. 0-0.83 s, specimen sheet on the light page. A square frame of full-bleed 1.6 px hairlines has 22 px pink markers on its four corners and centre, a dashed circle and dashed diagonals, with the flower on its stem inside. Push in from 0.31x to 1.12x with a fast start and a long settle (expo.out), keeping the hairlines and markers at their thickness. At 0.3 s a pink tag pops on with "BRAND NAME" (replace with yours). From 0.33 s a tiny data block types on at about 13 characters a frame: "NAME: ...", "ROLE: ...", "01: PICK A TEMPLATE", "02: DESCRIBE YOUR IDEA", "03: REFINE IN WORDS", "PREVIEW: LIVE", "EXPORT: MP4" (replace with yours). At 0.43 s the hero word "IDEAS" (replace with yours; deep ink, caps 146 px) cuts in across the frame. The flower glitches for three frames (sliced bands pushed sideways, specks). A two-frame pink flash turns it into a white block mosaic with a small cross in each block, then a pink mosaic for two frames, then back. From 0.77 s a near-black window opens from the centre (156, 434, 1340 px wide on successive frames) showing the flower inverted and zoomed, ending in a radial streak blur. 2. 0.83-1.47 s, close-up. The flower fills the frame on near-black with a slow push-in. First three frames of tracking crosses with tiny readouts ("01", "02"), then four frames of a point cloud with arcs, then small boxes with an x that thin out frame by frame. Four colour-inverted windows pop in one by one on frames 5, 9, 13 and 15. Each has a 1.5 px white outline, 18 px white corner handles and a label 70 px above in the label font: "Footage_01", "Photos_02", "Logos_03", "Music_04" (replace with yours). 3. 1.47-1.70 s. A stepped pixel wipe of white blocks filled with a pattern of small crosses eats in from the corners over two frames. Then the flower appears in greyscale, overexposed, under dashed rings and translucent pink squares, with horizontal slices shifted for two frames. 4. 1.70-2.13 s. The flower sits under stepped white scan blocks striped with short pink dashes and patches of halftone dots, and the windows come back. Then a pink stepped field of 78 px blocks grows over near-black from the centre, one radius step per frame with a ragged edge, until it fills the frame. Four inverted crops sit on it in white-handled windows with their labels. 5. 2.13-3.93 s, anatomy diagram on pink. Five square cards overlap in a row, earlier cards on top. Each is near-black with a macro detail of the flower: bud, petal, centre, stamens, base. Each has a white 1 px outline and white corner handles, and the bottom-left handle carries a dark dot. Labels sit above each card at 0.085x its size: "Type", "Shapes", "3D", "Sound", "Fonts." (replace with yours). A size focus walks along the row: the card in focus grows from 259 to 362 px while the others ease back. Then all the cards settle and ride a vertical wave, a beat apart. White dashed guides hug the stack's bounding box on every frame. Thin curves tie the first card's bottom-left handle to every other card's. From 3.4 s cards drop out of the row and white capitals "M", "O", "T", "N" take their slots, leading into the next word. 6. 3.93-4.83 s, on near-black. "IN MOTION" (replace with yours) drops in letter by letter in pink wide capitals (caps about 195 px). The letters ride overshooting tracks in a scrambled order while the baseline ripples like a wave. The last letter first waits in the slot before its own, then jumps out. Hard cut to the light page at 4.33 s while the letters settle. At 4.43 s the second word, punched in to 1.57x, slides out to the left, slow then accelerating (power2.in, about 650 px in 0.4 s). 7. 4.83-5.57 s, over a near-black ground with a white dot grid every 140 px. "LIVE" on the top row slides left and "PREVIEW" on the bottom row slides right (replace with yours; white, caps 277 px, running off the frame's edges), both braking hard. Between them the flower, seen from above and squashed to 0.69, turns slowly. Then three hard-cut inserts: - A trace sheet: the flower inverted to teal on a fine deep-ink grid, ringed by a circle and intersecting arcs with dots. It has corner labels "BRAND NAME", "ADDRESS", "TAGLINE", "CLAIM", a title "EDIT IN WORDS", a short data list and the line "Tell the chat what to show. The agent builds the animation." (replace all with yours). - A checker snowflake of pink 67 px squares on white, for two frames. - The flower typed in tiny bar characters a shade darker than a pink ground, for five frames, redrawn every frame. 8. 5.57-7.53 s, back to the two rows. The flower shows as pink blocks for two frames, then as the drawing with a teal inverted square on its centre and smeared petals. Letters trade places on single frames across three rows (top at 74, middle at 401, bottom at 731 px): a pair leaps left, a letter jumps down a row, others vanish and new ones appear. This continues until "EXPORT" (replace with yours) stands on the middle row around a 364 px square picture frame with pink markers off its corners. The picture cycles every two or three frames through studies of the flower: a dark petal, soft pink on lavender, violet with an orange centre, a stem on the light page. At 6.43 s, on a beat, the flower turns into my logo in four frames. First come two frames of the flower as a 12 x 12 colour mosaic, then two of my logo as the same mosaic, then the real logo on near-black (240 px, with a quarter of its size as clear space). The frame then lifts 123 px while the type pulls back to 0.82x and drops 240 px, both expo.out over 0.4 s. The word stands complete under the logo, with no letter covered or cut by the frame edge, and holds to the bar line. 9. 7.53-8.93 s, end card, landing on the bar line. A hard cut swaps the word for my brand name "[your brand]" in white wide type (caps 84 px). Below it sits a pink tag with my web address "[your web address]" in white label type (30 px). Both are centred under the logo, which stays exactly where the frame left it, on near-black. Hold the end card 1.4 s, readable to the last frame. </structure> <composition> Palette: - Light page #FAF9FF. - Accent pink #FB2D89 for panels, markers, tags and type. - Near-black ground #0D0B1E. - Deep ink #1C0B5D for dark type and hairlines on the light page. - White #FFFFFF for type and handles. - Lavender #F0EDFF. - Muted #6B6385 for dots on white. - Orange #FE9117 and yellow #FFD23F in the flower. - Violet #7C6CF2 for one picture study. Type: all big words use a very wide regular grotesk (TikTok Sans at width 150%, weight 400). Labels, tags and data use a small technical grotesk (Space Grotesk 400-500). Framing details: hairlines are 1.6 px, markers 22 px, window outlines 1.5 px and corner handles 18 px. Window labels sit 70 px above their windows. The end card is centred. I will bring my own words for the tag, the data block, the labels and the four statements: the hero word, the two-word drop-in, the two rows and the final word. Keep each about as long as the examples so the layout holds. </composition> <techniques> - Cuts are hard and on the beat. - Inside shots, changes happen on single frames: typing, flashes, mosaics, letter jumps and pop-ins. Real easing is used only on the push-ins (expo.out), the size focus and wave, the drop-in tracks, the slide-outs (power2.in) and the final lift (expo.out, 0.4 s). - Colour-inverted windows use an inversion plus a small hue turn, so the pink flower reads teal. - Hairlines and markers keep their thickness when the camera pushes in. - Dashed guides and connecting curves are recomputed every frame, so they stick to the moving cards. - Glitch vocabulary: sliced bands shifted sideways, specks, block mosaics with tiny crosses, stepped pixel wipes, a stepped block field growing one step per frame with a ragged edge, scan blocks striped with pink dashes, halftone patches, radial streak blur, and smeared petals. - The logo morph goes through a shared 12 x 12 colour mosaic: two frames of the flower, then two of the logo. </techniques> <music> A dark trap / hard electronic bed at 107.5 BPM, four bars long and exactly as long as the video, laid on the cut grid. - 0-0.8 s: a short, tense riser with glitchy clicks. - 0.83 s: a hard drop with a deep 808 impact exactly on the first cut. - From the drop to the end: kick, snappy claps, triplet hi-hat rolls and dark synth stabs right through the end card, with no break and no drop in level. - Fade out only in the last 0.3 s. </music> <sound> Sound design only on the picture's moments, on top of the bed: - glitch ticks on the flash - a swash on the scan blocks - a metallic hit when the pink field fills - a tape-stop into the cards - a heavy hit on the word drop-in - a click on the cut to the light page - a whoosh and boom on the punch-in - glitches on the inserts - a metallic impact as the letters start trading places - a click when the picture frame appears - glitch ticks on the logo morph - a swoosh as the frame lifts - a riser into a heavy hit with a long boom exactly as the end card lands Mix to about -14 LUFS, true peak below -1 dBTP. No voice. </sound> <references> Botanical specimen sheets and lab diagrams crossed with motion-tracking software overlays and brutalist wide-type kinetic typography, as in fast, glitchy design-studio showreels. </references>
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