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Eight-Technique Motion Design Showreel

A 15-second landscape showreel of eight hard-cut scenes: split-line title, morphing shapes, LED grid, particle word, liquid, type wall, 3D cube, end card.

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Prompt

Direction

Make a 15-second landscape motion-design showreel, 1920x1080 at 60 fps. Use eight scenes: seven of exactly 2 seconds and a 1-second end card. Every cut lands on a downbeat of a 120 BPM house track. It should feel like the reel of a precise, playful motion designer, with a different technique in every scene. Use hard cuts only and no fades between scenes, except the final fade to black. Use flat graphic pages, one pink accent, heavy tight grotesk type and a shutter smear on every fast move. Avoid photos, footage and voice. No letter may run over a cube edge. Type-wall words must never line up in columns. No particles may linger after the burst.

Structure

  1. 0-2 s, title on the light page. A 1500 x 6 px near-black rule grows from the centre of the frame (scaleX, expo.out 0.45 s). At 0.5 s the first word, for example "SHOW", rises out of the rule from below. At 1.0 s the second word, for example "REEL", drops out of it from above (replace both with yours). Each word sits in a box clipped at the rule: travel 290 px, expo.out 0.45 s, Geist Bold 248 px, centred. At 1.5 s three corner labels fade in over 0.1 s: a name top left, a running frame-accurate timecode (HH:MM:SS:FF) top right, and a feature list such as "TYPE / SHAPES / 3D / SOUND" bottom left in a faint muted tone. From 1.6 s the whole layer zooms from 1x to 41x in 0.4 s with expo.in, into a point inside a thick stroke of the top word (the bar of a T works). The frame ends filled with near-black and cuts unseen into the next scene.

  2. 2-4 s, shapes on near-black, chapter label such as "01 / FIRST STEP". A pink circle springs in from nothing to 512 px across with one soft overshoot, r = 256(1 - e^(-9t) cos 11t). Every half second it morphs into the next shape: a square (338 px side), then a triangle (circumradius 266), then a soft five-armed starfish. Each outline is drawn from 240 points whose blend to the next shape starts a few hundredths of a second apart, so the edge wobbles for 0.1 s. The frame keeps turning clockwise: a quick power2.inOut spin of 30 to 45 degrees as each shape lands, and a slow drift in between. Every quarter second a thin pale ring leaves the shape at 300 px radius and expands to 980 px (expo.out, 0.95 s) while fading out.

  3. 4-6 s, LED grid, chapter label such as "02 / SECOND STEP". The frame becomes a 32 x 18 grid of 56 px light tiles on a 60 px pitch, with near-black lines between them. Each tile flips like a card (height x |cos|, 180 degrees, power2.inOut 0.23 s) and changes colour halfway through. The flips run as a wave from the middle cell outward, 0.028 s per cell, with vertical distance counted 1.2x. The wave reveals deep-ink empty cells and a big pixel number in pink cells 13 cells tall, for example "02". At 5.45 s a vertical sweep runs right to left in 0.37 s and briefly squeezes only the empty cells to a quarter of their height.

  4. 6-8 s, particles on near-black, chapter label such as "03 / THIRD STEP". About 2,800 light and pink dots (3 to 6 px) drift over the whole frame. They then gather into a word such as "IDEAS" in Geist Bold, spaced to fill x 395-1520 with cap height from y 382 to 668, using sine.inOut over 0.42 s with each dot a little late. They hold with a one-pixel jitter. At 7.5 s they burst outward from the centre with accelerating speed, and every dot is out of the frame by 7.8 s. Dots streak along their path when they move fast.

  5. 8-10 s, liquid on pink, small near-black label "LIVE PREVIEW". Seven light metaball drops, one big in the middle and six around it, orbit and breathe, bridging and merging when close. At 8.45 s they are sucked into one drop (power2.in 0.17 s), which holds small. At 9.05 s they are flung out again with back.out.

  6. 10-12 s, type wall on the light page, label "KINETIC TYPE". Eight rows of Geist Bold 152 px on a 150 px pitch cover the frame. Words alternate loud near-black and quiet faint grey, with a little extra word space, for example "MOTION IDEAS TYPE SHAPES SOUND PREVIEW" repeating (replace with your feature words). The even rows are offset by most of a word cycle so the words never line up in columns. Even rows run left and odd rows run right, each row 60 px/s faster than the one above (900 to 1320 px/s). At 11.0 s all rows stop dead, then lurch on by about 0.17 s of travel (power3.inOut 0.28 s). At the same moment a full-width pink band 300 px tall opens from its centre across the middle (scaleY expo.out 0.35 s). A name in white Geist Bold 262 px, for example "STUDIO NAME", rises into the band from its lower edge (expo.out 0.33 s).

  7. 12-14 s, 3D cube on near-black, label "3D EFFECTS". A 514 px cube sits in perspective (2400 px), tilted -14.5 degrees so its deep-ink top shows. It rests at a three-quarter view and turns a quarter turn every half second (power3.out 0.3 s), each face landing at the same angle. Four faces carry one heavy word each, for example: "TYPE" near-black on light, "3D" white on pink, "SHAPES" light on near-black, "SOUND" pink on light. Short words are 200 px. Longer words are scaled to about 85% of the face, so every word fits inside its face with margins.

  8. 14-15 s, end card on near-black. A two-word name in Geist Bold 224 px, for example "Studio Name", with the first word light and the second pink, rises out of a hard edge just under its baseline (expo.out 0.45 s). At 14.15 s a sentence such as "your tagline · your website" follows in Geist Medium 44 px. At 14.25 s a tiny call to action such as "TRY IT FREE" appears in Geist Mono. From 14.55 s the whole card fades linearly to black, reaching black on the last frame.

Composition

Palette:

  • Light page #FAF9FF.

  • Near-black #0D0B1E for dark pages and dark type.

  • Deep ink #1C0B5D for dark panels, empty grid cells and the cube top.

  • One accent pink #FB2D89.

  • White #FFFFFF for type on pink.

  • Muted #6B6385 for small labels on light pages, and at 24% opacity for the quiet words of the type wall.

  • Chapter labels on near-black in #E9E4F2 at 55% opacity.
    Type:

  • Geist Bold for everything big, set tight: letter-spacing -0.07em, line-height 1.

  • Geist Medium only for the end-card sentence.

  • Geist Mono 22 px for corner labels, placed 64 px from the left and 60 px from the top.
    Big elements stay centred on the frame, with generous empty space around the single hero element of each scene.

Techniques

Every fast move carries a shutter smear. Render three copies of the moving layer sampled a quarter frame apart (t - 1/240 s, t, t + 1/240 s) and stack them at opacity 1, 1/2 and 1/3. This averages them, so motion leaves stepped grey ghosts. Canvas-drawn scenes (morph, grid, particles, liquid) average three passes the same way. Words enter by rising or dropping out of hard clipping edges with expo.out, never by fading. The first cut is hidden by the expo.in zoom into a letter stroke. All other changes are hard cuts on the downbeat. The end card's linear fade to black is the only fade.

Music

An original house track at 120 BPM, exactly 15 seconds long, with one bar per scene, all on the composition's beat grid. It has a four-on-the-floor kick, claps on 2 and 4, open hats on the off-beats, a funky bouncy bassline and bright off-beat chord stabs. The first bar, under the title, is a quiet build-up. A riser and a short whoosh run into the zoom, and the full groove drops at 2.0 s with a boom. Every kick falls on the grid, so each cut lands on a downbeat. The track fades over the last half second. Mix to about -14 LUFS, true peak under -1 dBTP.

Sound

Hits laid on the picture, on top of the music:

  • a light tick as each shape lands

  • a glitch when the grid appears and a swish on the grid sweep

  • a swoosh into the particles, a short riser as they gather and a whoosh on the burst

  • a bell impact into the liquid, a downer as the drops are sucked in and a pop as they fly out

  • a swoosh into the type wall and a boom when the pink band opens

  • a swish on every cube turn

  • a riser and a deep boom on the end card
    No voice-over.

More prompts

Preview of the “Kinetic Type Manifesto Tied by One Moving Line” promptSimple MotionPrompt code: TQW

Kinetic Type Manifesto Tied by One Moving Line

<direction> Make a 46-second vertical (1080x1920) kinetic typography video that carries a short mission statement from two titles, through three paragraphs, to three calls to action and a closing card. The idea: one single coloured line moves through the whole piece and connects every scene as one visual narrative, taking a different form each time (a loop, a knot, a frame, a lifting page, a path the camera follows). The style is minimal and modern, with vibrant flat colours and all text in Montserrat, a clean sans serif. Set the text word for word, exactly as written. It should feel like an award-level motion design identity piece: emotional, contemporary, artistic, precise and human. Every scene must look different from the others. Avoid anything that looks like a slide presentation, a Canva template, a generic NGO advert or stock footage. Use no photos, footage or illustrations that interpret the words, and add no related or paraphrased words: the typography and the line are the whole visual. Use soft original music with no voice-over. </direction> <structure> Approximate timing, with the full paragraphs as the narrative backbone: 1. Title one (about 0–5 s): "THREADS OF HOPE." (replace with yours) on an off-white background. A magenta line loops in and reveals each title line from underneath, then ties a knot. Blue floods out of the knot and fills the screen. 2. Title two (about 5–10 s): "ROOTS OF PEACE." (replace with yours). A yellow line draws a square frame around the words while the letters of the first word rise one by one. 3. First paragraph (about 10–18 s): the line lifts into a full yellow page carrying "Across [your country], we are weaving new connections through psychological support, collective action, and community-led initiatives." (replace with yours). Highlight the key phrases circleling with a connected line, such as "weaving new connections", "psychological support", "collective action" and "community-led initiatives". 4. Second paragraph (about 18–27 s): a dark-blue scene with "We bring together professionals, organizations, and communities to rebuild the social fabric, strengthen psychosocial well-being, and cultivate cultures of peace rooted in empathy, solidarity, dialogue, and mutual care." (replace with yours). The key phrase "cultures of peace" gets its own moment. It sits on its own line at about 1.5 times the size of the surrounding text, in bright yellow, and it grows in from slightly small to full size. As the following lines arrive, the rest of the paragraph fades back to lower opacity, but this phrase stays at full brightness to the end of the scene. "emphaty" is picked out in magenta, "solidarity" is picked out in light blue, "dialogue" is picked out in green and "mutual care" is picked out in lavanda so that yellow belongs only to the key phrase here. 5. Third paragraph (about 27–35 s): a green scene where the camera travels along the line as "From individual healing to collective transformation, we are creating opportunities for communities to reconnect, grow, and shape more peaceful futures." everything in bold (replace with yours) unfolds along its path. 6. Calls to action (about 35–41 s): three highlighted invitations, each appearing in turn: "Explore our work.", "Connect with our mission.", "Help cultivate cultures of peace." (replace with yours). The last one can echo the yellow highlight of "cultures of peace". 7. Closing card (about 41–46 s): "Know More about" / "[your brand]" / "[your website]". The line comes to rest and the piece ends on a calm, still frame. </structure> <composition> Use vertical framing with generous margins and lots of negative space. Each scene has its own layout so that no two look alike: centred titles, a framed title, a full-bleed coloured page, a dark field with a strong hierarchy, and a travelling path. Set all text in Montserrat. Titles are in bold uppercase, exactly as written. Body text is in a lighter weight, set in short, readable lines. Make key words stand out through colour, weight or size rather than decoration. The palette is vibrant and flat: an off-white base, with magenta, saturated blue, yellow, dark blue and green as scene colours. Light blue is a secondary accent, and bright yellow is reserved for the key phrase "cultures of peace". The line always contrasts with the background it crosses. </composition> <techniques> The continuous line is the main device. It draws on with a stroke reveal and works as a mask that reveals the text from underneath. It ties a knot that releases a full-screen colour flood as the transition into the next scene. It draws a square frame. It lifts like a sheet of paper into the next page. Finally, it becomes a path the camera follows through the green scene. Every transition is handed off by the line itself, never by generic cuts or wipes. Text motion: letters rise one by one with a stagger. Words and lines reveal in reading order. Key phrases settle slightly later and stronger. The highlighted phrase scales up from a little smaller to full size, while finished lines fade back in opacity. Keep all motion smooth and precise, with soft ease-out arrivals and no bounces. Use calm pacing that leaves time to read every paragraph. </techniques>

Preview of the “Hypnotic Eye Dive Showreel in Neon Synthwave” promptSimple MotionPrompt code: PHY

Hypnotic Eye Dive Showreel in Neon Synthwave

<direction> Make a 20-second psychedelic, hypnotic motion-graphics showreel, 16:9 at 1920x1080 and 60 fps. Everything is drawn and generated: procedural patterns and 3D-rendered forms, no footage and no photos. Cut it to a 120 BPM neon synthwave track. The idea: an eye opens out of a single line, and the camera keeps diving through it into stranger and stranger worlds before it lands on a title. Every frame is driven by time. Sections change on bar lines (every 2 s) behind white flashes, and brightness pulses on the beats keep the picture breathing. The look is deep ink and near-black with neon pink, orange, violet, teal and yellow, soft bloom, light chromatic aberration, fine grain and a vignette, with a thin technical HUD framing everything. All quoted words are examples to replace with yours; keep their lengths close so the layout holds. Avoid footage and stock imagery, flat untextured fills, pure black (darks never go below #0D0B1E), oversaturated colour, and any real names or brands on screen. </direction> <structure> 1. 0.0-4.0 s, the eye. Black, then at 0.3 s a thin glowing lash line appears. The eye is a pointed almond: the lens shape between two overlapping circles, about 0.55 of the frame width. The whole frame around it fills with its contour lines, which are iso-lines of the same two-circle shape on logarithmic steps (each gap about 13% wider than the last). They flow slowly outward and fade with distance: pale lavender, orange and teal near the eye, pink further out, over deep-ink bands. From 0.3 to 0.85 s the eye is a slit. From 0.85 to 1.33 s the lids open (power2.out) while the eye grows from 86% to full size. The iris is fibrous, in orange, peach, mint and violet bands, with a pink edge ring, a teal glow and a ring-shaped highlight upper left; the lids have a soft white inner rim. Beat ripples run out through the lines at 1.5, 1.75, 2.5 and 2.75 s. A centred caption in small letter-spaced mono ("YOUR LINE OF TWENTY-SIX LETTERS") decodes in from 1.4 s at about 45 letters a second and falls apart from the right at 2.8-3.1 s. From 2.75 s the pupil dilates and shows the next scene already playing inside it, while the iris bands shift to violet and yellow. From 3.42 to 3.98 s the camera pushes into the pupil until the inner scene fills the frame at 1:1. 2. 4.0-8.0 s, the tunnel. Cut on a white flash with radial streaks. This is a perspective tunnel of rings spaced so that inverse radius grows by 0.75 per ring. Each ring holds 18 almond eyes with teal outlines, pink and violet irises and a white highlight. Alternate rings sit half a cell apart and turn opposite ways. The rings fly outward at about 11 rings a second with a push on each beat, and the far rings melt into an ink haze around a white core. On every beat a glowing ring leaves the core and grows, in turn white, pink, then teal. From 6.05 to 6.45 s the eyes morph into a polar checkerboard, then into a sunburst of 36 slowly turning rays in muted rainbow colours, with a bright ring around the centre that swells after 7.0 s. From 7.45 to 7.8 s the checker flashes back, and from 7.72 to 7.97 s everything whites out. 3. 8.0-11.33 s, the chrome blob. The white fades away over 0.5 s to reveal an iridescent chrome metaball over dark concentric ripples. It is six spheres in a smooth union: a dark body with thin oil-slick contour bands in teal and pink, a pink rim light and sharp white speculars. It turns and morphs. A vertical chain gathers into a lump, two droplets split off at 9.1-9.5 s, and it crumples at 9.5-9.9 s. From 10.0 s the frame becomes a kaleidoscope stepping through 4, 6, 3, 8, then 10 mirror folds, and a pale arc sweeps outward at 10.0-10.25 s. 4. 11.33-14.0 s, the spiral. A glitch flash, then twelve logarithmic-spiral arms of teardrop cells. Each cell is 1.5x the previous one along its arm, and the arms turn counter-clockwise outward. The cells have double lavender outlines and hold either an iris (teal, pink or orange) or a nested gradient diamond (pink or violet). Thin gold lines trace the arms and rings, and a white core glows at the centre. The spiral zooms toward the centre at about 1 log-unit a second and turns slowly; both moves get a push on each beat, with a brightness pulse on every beat. From 13.82 to 14.0 s a white bloom grows from the centre to fill the frame. 5. 14.0-15.5 s, the sphere room. The white fades over 0.7 s into a 3D room. Arches are made of pearl-like beads, big iridescent spheres line the walls, and flat floor discs carry zigzag op-art stripes in pastel rainbow, all in ink-violet fog. The camera dollies forward and banks to the right. 6. 15.5-16.0 s, montage on sixteenth notes (cuts at 15.5, 15.633, 15.75 and 15.883 s): an iris close-up, the rays, the kaleidoscope and the spiral, each with a small flash. 7. 16.0-18.0 s, the eye again. A white flash with a dark disc at the centre that shrinks to nothing in 50 ms. The camera pulls out of the pupil, with the sphere room visible inside it, to the full eye by 16.32 s. Now the contour lines are thick neon bands: pink near the eye, then violet, then deep ink further out, turning teal over 16.9-17.8 s. The iris is a pastel rainbow ring around a large dark pupil. Beat pulses land at 16.5, 17.0 and 17.5 s. From 17.84 to 17.98 s the eye blinks shut: the bands straighten into horizontal stripes with one bright line in the middle. At 18.0 s everything collapses to dark in 50 ms. 8. 18.1-20.0 s, the title. A word in the wide black grotesk ("YOUR WORD") is fitted to about 1436 px wide and centred. It wipes in left to right with a soft blurred edge over 0.52 s. Its letters are pale (lavender, mint, then blush from left to right) and filled with grain, with a red/blue split settling from 10 to 3 px and a glow tinted violet, teal and pink. At 18.62 s an italic subtitle fades in under it ("your short tagline"). At 19.1 s a tiny letter-spaced mono line decodes above it ("( a short call to action )"). From 19.55 to 19.95 s the word dissolves into noise and the frame fades out. </structure> <composition> Palette: deep ink #1C0B5D and near-black #0D0B1E for every dark area (backgrounds, bands, the white of the eye). The accents are pink #FB2D89 (main), orange #FE9117, violet #7C6CF2, teal #2DD4B0, yellow #FFD23F and white #FFFFFF. Use light lavender #F0EDFF / #FAF9FF for pale tints and text, muted lavender #9890B4 for small HUD text, and #E9E4F2 for lines. Rainbow elements cycle pink, violet, teal, yellow, orange. Grade over everything: soft bloom on bright shapes (threshold about 0.7), light radial chromatic aberration toward the corners, fine grain, a vignette and slightly muted saturation. Darks never go below #0D0B1E. Fonts: Unbounded 900 (a very wide black grotesk) for the title, JetBrains Mono 400/700 at 11-15 px with letter-spacing about 0.3 em for the HUD, and Spectral Italic 400 at about 43 px for the subtitle. HUD: it sits on top of everything from 1.0 s, fades in over 0.5 s and fades out at 19.6-19.9 s. Thin L-shaped corner brackets sit 28 px from each corner. - Top left: a name in bold mono ("YOUR NAME") with a tagline under it ("YOUR TAGLINE"). - Top right, right-aligned: a chapter counter ("01 / 07") and a bold chapter label ("FIRST CHAPTER"), changing at each section. - Bottom left: a timecode "TC 00:00:SS:FF" counting frames at 60 fps, and "120 BPM · bar.beat.sixteenth" (for example 02.3.3). - Bottom right: four 8 px squares with the current beat lit white, and a short credit in bold (for example "YOURSITE.COM"). - A 1.5 px progress line runs between the bottom brackets and fills with the playhead. </composition> <techniques> - Decode text: at every section start the chapter counter and label decode letter by letter in 0.38 s. Each letter scrambles through glyphs like # % & = + @ < | / $ at 30 changes a second and resolves left to right. The caption and the call to action use the same decode, and the caption falls apart from the right the same way. - Section flashes: each white flash with radial streaks decays as 0.94 / (1 + (t / 0.07)^2.5). - Pupil push (3.42-3.98 s): the zoom accelerates exponentially, with log zoom = 5.5·x² / (x + 0.1) over the move. The next scene plays inside the pupil and ends exactly at 1:1, so the cut is seamless. The pull-out at 16.0 s mirrors it. - Beat pushes: the tunnel speed, the spiral zoom and turn, and the ripples and rings get a kick on every beat, with brightness pulses on the beats. - Morphs instead of cuts inside scenes: eyes to checkerboard to sunburst, the metaball chain to lump to droplets to crumple, then the kaleidoscope fold counts stepping 4, 6, 3, 8, 10. - Transitions: white-outs and fades from white on bar lines, a glitch flash into the spiral, a white bloom from the centre into the sphere room, sixteenth-note flash cuts in the montage, a 50 ms collapse to dark before the title. - Title: a left-to-right soft-edged wipe, an RGB split easing from 10 to 3 px, then a noise dissolve and fade at the end. </techniques> <music> Neon synthwave at 120 BPM in A minor, one chord per bar (2 s): Am F for the intro, then Am F C G Am, F in the breakdown, G on the return, Am at the end. The kick lands exactly on the picture's beats (every 0.5 s). - 0-4 s: a bell figure in eighths over a warm pad, with a long riser and a reversed cymbal, no drums. - At 4.0 s: a four-on-the-floor kick, an octave-jumping eighth-note bass and a saw arpeggio in sixteenths. The bass and arpeggio pump with the kick. - From 8.0 s: a big reverbed snare on two and four, off-beat hats and a square lead holding long notes, with a snare fill into 14.0 s. - 14.0-16.0 s: the drums and bass drop out, the pad swells, and a filtered arpeggio rises with a 32nd-note snare roll into 16.0 s. - At 16.0 s: everything slams back. - The drums stop half a beat before 18.0 s, and one ringing A minor add9 chord carries the end card. </music> <sound> Sound effects on the picture: - a soft high sine at 0.3 s for the lash line - a riser into a deep boom at 4.0 s - a short riser and boom at 8.0 s - a glitch at 11.33 s - a riser and whoosh into 14.0 s - four short glitch ticks on the montage cuts - a long riser into a boom at 16.0 s - a whoosh on the blink at 17.95 s - a downer and sub drop at 18.0 s - a soft bell when the title appears at 18.12 s - an airy whoosh as the title dissolves No voice-over. Mix to about -14 LUFS, with true peak below -1 dBTP. </sound> <references> Late-80s outrun and synthwave colour, op-art moiré and contour-line illusions, psychedelic eye imagery, demoscene-style procedural showreels, and motion-design studio reels framed by a technical HUD. </references>

Used 2 times
Preview of the “Living Math Showreel with Glitch Cuts on the Beat” promptSimple MotionPrompt code: TKM

Living Math Showreel with Glitch Cuts on the Beat

<direction> Make a 20-second motion graphics showreel built entirely from mathematics: every frame is generated from the running time t, with no photos, footage or pictures. Landscape 1920x1080 at 60 fps. It should feel like a precise lab instrument that suddenly becomes beautiful: dark, glowing, exact, with one glitch cut every two seconds on the beat. Eight math scenes play inside a fixed instrument-style frame (corner brackets, wordmark, scene counter and label, beat dot, running clock, progress line, live equation), then an end card with the brand. Avoid grain, stock imagery and any decoration that isn't drawn from the math. </direction> <structure> Cuts at 2, 4, 8, 10, 12, 14, 16 and 18 s, all on beats. 1) 0-2 s, origin: a faint teal ring grows from the centre to r 238 px (0-0.45 s, ease out); axes with ticks every 60 px grow out from a glowing centre point; a ripple ring leaves the point on each beat. A wide-tracked line like "YOUR AI MOTION DESIGNER" resolves from random characters (0.3-0.78 s); a short serif line like "Ideas in motion" types in letter by letter beside the origin (0.5-1.12 s). From 1.35 to 1.95 s a teal arc of r 220 winds once around the origin with a white dot at its tip, and the words fade. 2) 2-4 s, unit circle: a teal circle (r 220) on the left, the angle growing at 4.52 rad/s. White radius, teal cosine leg, pink sine leg, an orange angle arc labelled θ, a dashed pink line to a pink dot at x 820 where the sine is written; the history of the angle trails to the right as a glowing pink sine (104 px per radian) with a faint teal cosine beside it and dotted +1/-1 guides. Live readouts "θ = 4.524 rad" and "sin θ = -0.982". Equation: y = sin θ. 3) 4-8 s, Fourier epicycles: a chain of 180 rotating circles (sorted by size, faint lavender rings, white radii) draws the outline of a big π in glowing orange over 4.3-7.2 s (sine in-out progress), then the shape fills with a soft pink-to-violet gradient while the chain fades. On the left a spectrum of |cₙ| for n = -24...24 (bar heights by the square root of the amplitude) lights up from the centre outward as the drawing progresses; readouts "K = 180 terms" and "t/2π = 0.527". Equation: f(t) = Σ cₙ e^{int}. 4) 8-10 s, a 3D Lissajous knot (sin 3t, sin 2t, sin 5t) traced in 0.6 s, then turning in perspective: a ribbon whose colour runs teal-violet-pink along the curve and whose width and brightness follow depth. On the right a 3x3 grid of small plane Lissajous figures labelled 1:1, 2:3, 4:5, 1:2, 3:4, 5:6, 1:3, 3:5, 3:2 draws in one by one with drifting phase; the last one turns teal inside a thin box. 5) 10-12 s, a wireframe ripple surface z = cos(kr - ωt)/(1 + r) on a 48x48 grid seen from 67° above, revealed outward from the centre in 0.55 s and slowly turning, lines coloured by height from teal through violet to pink. An orange probe dot rides the surface at r = 3.2 with a leader line and live readouts "r = 3.200", "z = 0.276". 6) 12-14 s, a Julia set z² + c filling the frame, opened by a circular portal that expands from the centre with a white rim. c = 0.7885·e^{iα} slides along its circle (sine in-out), so the fractal morphs from separate spirals into a connected shape with a black interior; slow zoom in and rotation. Colours by escape time: indigo, violet, pink, orange, pale cream to white. An inset shows c moving on its circle with "Re c" and "Im c" readouts. 7) 14-16 s, phyllotaxis: 1500 seeds at θₙ = n·137.508°, rₙ = c√n appear from the centre outward and spin, white at first, then pink, violet and teal. On the left φ = 1.6180339887... writes itself digit by digit, a Fibonacci row grows (21 and 34 in teal), with "seeds n = 1500" and "spirals 21 ⟲ 34 ⟳". 8) 16-18 s, Euler's identity: the seeds swirl into a ring that becomes a teal unit circle on the left; a point sweeps from 1 to -1 leaving an orange arc over the top; e^{iπ} appears large, then "+", "1", "=" one by one on the beats, a ring pulses at -1, and "0" lands at 18 s in a pink ring. 9) 18-20 s, end card: the identity shrinks to the top; a big wide-tracked wordmark like "YOUR BRAND" (replace with yours) rises letter by letter from below inside a clip (0.06 s stagger), a teal-violet-pink underline draws across it, a tracked line like "IDEAS IN MOTION × [your web address]" scrambles in, and an italic serif line like "From idea to video in one chat" fades in. Everything fades to black from 19.35 to 19.95 s. </structure> <composition> Background: a deep indigo-black radial glow, centre #10063A fading to #03030A at the edges, no grain. Accents: pink #FB2D89 (main), orange #FE9117, violet #7C6CF2, teal #2DD4B0 and white. Lines and labels in lavender greys: #9A98A4 for labels, #57516F for dim captions, #433E53 for axes. Strokes glow softly with a 12-16 px blur of their own colour. Type: equations in a Computer Modern-like serif (Old Standard TT, variables italic, functions upright); every readout, counter and caption in a monospace (Liberation Mono or similar), small and wide-tracked; the brand name in a bold grotesk with very wide tracking. A fixed frame stays on the whole time, fading in over 0.15-0.9 s: thin corner brackets 27 px long, 47 px in from each corner. Top left: a wordmark like "YOUR BRAND" (bold, 22 px, tracking about 0.35 em) with a tiny tracked line under it like "IDEAS IN MOTION · [your web address]". Top right: a scene counter "01 / 08" and under it a short label per scene, for example "DESCRIBE YOUR IDEA", "EDIT IN WORDS", "NO KEYFRAMES", "3D EFFECTS", "LIVE PREVIEW", "SHAPES AND SOUND", "MUSIC TO THE RHYTHM", "MP4 EXPORT" (replace with your taglines), with a small pink dot to its left. Bottom right: a running clock "t = 03.35 s" (two decimals) and a tiny line with the frame number. Bottom: a 1 px progress line from x 80 to 1840 that fills with a teal-violet-pink gradient as time runs, with small tick marks at every scene boundary. Bottom left: the equation of the current scene. </composition> <techniques> Every cut is a 0.2 s glitch: the outgoing picture is cut into horizontal bands shifted sideways, 3-6 thin full-width lines in teal, pink, orange and white flicker, the whole frame flashes white at about 14% and decays over 0.25 s, and the frame's labels scramble through random characters for a few frames. The pink beat dot flashes bright on every beat and decays over half a beat. The scene's equation fades in 0.1-0.35 s after each cut. Readouts, the clock and the counters update live with the animation. Tracked lines resolve from random characters; serif lines type in letter by letter; the end wordmark rises from below inside a clip with a 0.06 s stagger. Draw-ons and morphs use ease-out or sine in-out progress as given per scene. </techniques> <music> An uplifting electronic track at 120 BPM (piano chords, warm pads, synth bass, four-on-the-floor beat), exactly 20 s long, with every cut landing on a beat. Soft and filtered for the first two seconds with a riser into a boom at 2 s, full drive until 16 s, a filtered breakdown with a riser into a final boom at 18 s, then fading out by 20 s. Mix to about -14 LUFS with true peak below -1 dBTP. </music> <sound> A soft whoosh and three glitch ticks on each cut, and a deeper whoosh and boom when the fractal portal opens at 12 s, all sitting on top of the music on the beat grid. No voice-over. </sound> <references> Math explainer animations crossed with generative creative-coding art and a sci-fi oscilloscope or lab-instrument HUD: thin glowing lines on near-black, monospaced readouts, textbook serif equations. </references>

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